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Dreamcast Collection メーカー セガ 発売日 2011/2/25 対応機種 Xb36.windows DCで発売された4種類のゲームのオムニバスソフト クレイジータクシー ゲットバス スペースチャンネル5 パート2 ソニックアドベンチャー Xbox 360 た行 オムニバス クレイジータクシー ゲットバス スペースチャンネル5 パート2 ソニックアドベンチャー パソコン PR Dreamcast Collection (輸入版) - Xbox360
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概要 トークオーバー機能等を搭載したDJコントローラー。VirtualDJ 5 DJC Edition同梱。 DJConsole Rmx +スペック表・DJConsole Rmx スペック表 Cutting-edge DJ controller with built-in audio for live and studio use Audio built for DJing Mic input for talk-over Headphone output 2 stereo outputs 4 x ¼" jack mono out (+4dBu) for pro gear 4 RCA mono out (-10dBv) for standard gear 2 stereo inputs Plug mix external sources with MP3s Metal casing Aluminum plate on top Metal sheet on bottom Comfortable controls 35x25cm / 13.8"x10.7" Comfortable mixing Space for your fingers TECHNICAL SPECIFICATIONS Precise jog wheels and faders for mixing 2 JOG WHEELS Functions Emulate vinyl turntables so that turning the jog wheel moves the cursor backward or forward within music tracks to select the cue point where playback will start for the audience. Add effects to music playback such as instant speed up, instant slow down, and scratching. Settings Adjustable resistance makes the jog wheels more or less resistant, according to the DJ’s preference. Adjustable accuracy mix with jog wheels set at their default accuracy, or divide it by 2 or 4. Use with Scratch On/Off button changes the jog wheels’ function Fine tuning slow down or speed up playback, like when a DJ gives a record a push. Scratching makes a scratch sound, like when a DJ puts his hand on a record during playback (stopping the record’s rotation) and moves it backward and forward. 6 FADERS (SLIDERS) 1 Cross fader DJ Console Rmx plays 1 stereo music track per deck (2 stereo music tracks simultaneously). The cross fader moves between the left and right decks, allowing the DJ to adjust the mix between the 2 tracks. Setting the cross fader completely to the right means that the mix (the music the audience hears) comes 100% from the right deck the audience doesn’t hear the music played on the left deck. Setting the cross fader in the center means that the music comes 50% from the left deck and 50% from the right, and so on. 2 Pitch faders Change the pitch = change the playback speed of a track, increasing or reducing its BPM (Beats Per Minute) rate, in order to make dancing easy by setting new music tracks at the same BPM as the previous track so that dancers don’t need to change their rhythm during the transition from one track to another. Changing the pitch changes the music’s speed and tone faster means higher tone, slower means lower tone. The DJ can keep the same tone by enabling the master tempo effect before changing the pitch so that the pitch slider only changes the tempo instead of the pitch. 3 Volume faders "Deck A volume fader" controls the volume of the music played on deck A. "Deck B volume fader" controls the volume of the music played on deck B. "Main volume fader" controls the master volume. Changing the volume on deck A or deck B lets the DJ adjust transitions between the 2 decks. Rotary controls for adjusting audio EQUALIZATION 6 rotary equalization potentiometers (3 per deck Bass, Medium, and Treble) Add color to your music with customs settings Make dancing easier by enhancing the bass (the bass provides the tempo for dancing). Remix songs by boosting the mids (the mids contain the singer’s voice) on 1 track and mixing it with another track on the other deck, where you’ve cut the mids. Make transitions between 2 music tracks using bass Synchronize the 2 tracks move the pitch fader to set both tracks at the same BPM. Cut off the mids and treble on both decks, keeping only the beat of the bass. Move the cross fader from the first deck to the second, while restoring the mids and treble. 6 kill buttons (3 per deck Bass, Medium, and Treble) Push the buttons to cut off or restore the frequency band. This is a faster way to cut off or restore a frequency band than using the rotary potentiometers. GAIN 2 rotary gain potentiometers (1 per deck) Increase or decrease the level of the tracks on each deck to put the track played on left deck at the same volume as the track played on the right deck, even if they were recorded at different levels. Gain lets the DJ compensate for different levels between tracks so that the volume is the same on both tracks when the volume faders for both tracks are set to the maximum levels. When the DJ connects external sources to Deck A (left deck) or B (right deck), setting the gain makes it possible to compensate for differences in volume between external sources and computer audio files. BALANCE 1 rotary balance potentiometer Sets the balance of the main output (1-2) between the left and the right channels. HEADPHONE CONTROLS 1 rotary Monitor Select potentiometer The Monitor Select potentiometer lets the DJ select the music played on the headphone output, either Previewing (the track selected with the Cue Select buttons), or Deck A + Deck B, Or a mix of the 2 tracks, when the Monitor Select position is between these 2 settings. 2 Cue Select buttons (1 per deck) Selects the deck the DJ previews on the headphones Cue Select Deck A or Cue Select Deck B. 1 rotary Headphone volume potentiometer Sets the volume on the headphone output, whether the headphones are plugged into the top or front panel of the controller. MICROPHONE CONTROLS 1 rotary Microphone volume potentiometer Sets the volume of the microphone input. 1 Microphone On/Off button, with talk-over control Enables/mutes the microphone, and simultaneously attenuates/restores the background music level. DJ buttons for instant DJing controls BROWSER PUSH BUTTONS 4 buttons for browsing within music libraries (Up, Down, Left, Right) Up/down buttons move to the previous (Up) or next (Down) music file/directory. Left/right buttons switch the root directory (Left) or enter a directory (Right). 2 load buttons (Load Deck A, Load Deck B) Load the highlighted music track on the left deck (Load Deck A) or the right deck (Load Deck B). SOURCE BUTTONS 2 buttons Source 1 and Source 2 Replace the computer track played on Deck A with the audio source connected to inputs 1-2 when you push the "Source 1" button. Return to the computer track when you push the "Source 1" button again. Replace the computer track played on Deck B with the audio source connected to inputs 3-4 when you push the "Source 2" button. Return to the computer track when you push the "Source 2" button again. Enabling an external audio source requires adjusting the gain control for the deck in question. PITCH SETTINGS 6 buttons (3 per deck) in addition to the pitch faders Pitch Reset (1 button per deck) Gradually resets the pitch of the music to the original pitch, whatever the pitch fader position. Beat Lock (1 button per deck) In VirtualDJ 5 DJC Edition, this button switches the Master Tempo on/off. Master Tempo locks the music to its current tone, allowing the DJ to change the tempo without changing the tone. Sync (1 button per deck) = Synchronization Pushing the Sync button on a deck adjusts the speed (BPM) of the music played on the deck to the same speed (BPM) as the music played on the other deck. PLAY/PAUSE, CUE AND STOP 6 buttons (3 per deck) Play starts the music playback, pause stops it at its current position in the track. Cue places a cue point (a marker where playback should start) at the current position in the track. Stop halts playback and places the cursor at the Cue point. BACKWARD/FORWARD 4 buttons (2 per deck) Quickly move the cursor within music tracks. EFFECTS AND LOOPS BUTTONS 1 TO 6 12 buttons (6 per deck) Loop In/Loop Out buttons (Buttons 1 and 4) Loop In button places a marker at the start point of a loop, Loop Out button sets the end point of a loop. Buttons 2, 3, 5, 6 special effects buttons to apply effects such as Flanger, Beat-grid, Flipping Double and Reverse to music tracks. Audio interface tailored for DJing 4 AUDIO INPUTS 2 stereo audio inputs 2 pairs of dual RCA connectors The DJ can replace the computer audio track played on deck A with the music played on inputs 1-2, and replace the audio track on deck B with the music played on inputs 3-4. With these 2 stereo inputs, Hercules DJ Console Rmx provides hybrid mixing the DJ mixes computer audio tracks on 1 deck with the analog audio source on the other deck. The DJ can equalize the external audio source or set its volume as with a computer audio track. 2 Phono/Line switches with a ground for each phono input The DJ can set the preamp level for each stereo input to line (CD/MP3 player) or phono (turntable) level. In addition to mixing analog vinyl records, the phono/line level lets the DJ mix time-coded vinyl/CDs. Use in conjunction with 2 Source buttons (1 per deck) These buttons enable/disable the audio inputs, replacing the computer audio track on each deck. Use in conjunction with 2 gain potentiometers (1 per deck) The DJ can adjust the level of the external source to match the level of computer audio playback. 4 AUDIO OUTPUTS 4 x ¼" jack mono connectors (Outputs 1, 2, 3, 4) Play the mix at +4dBu on outputs 1-2 and the preview on outputs 3-4 with VirtualDJ 5 DJC to connect DJ Console Rmx to a PA system. 4 RCA connectors (Outputs 1, 2, 3, 4) Play the mix at -10dBv on outputs 1-2 and the preview on outputs 3-4 with VirtualDJ 5 DJC to connect DJ Console Rmx to a hi-fi system. Connect the ¼" jack outputs to a PA system to play the mix for the audience while simultaneously connecting the RCA outputs to the audio line input on another computer to broadcast the mix online. Play Deck A on outputs 1-2 and Deck B on outputs 3-4 (with VirtualDJ 5 Pro or another application) and export the mix to an external mixer. HEADPHONE OUTPUT 1 headphone output (2 stereo ¼" jack plugs, located on the top and front panels of the controller) Preview music on your headphones. Set the headphone volume using the volume potentiometer located on the top panel. Made for DJ headphones (stereo, impedance from 16 to 64 Ohms). MICROPHONE INPUT 1 microphone input (2 mono ¼" jack plugs, located on the top and front panels of the controller) Talk over the music (mix the microphone input with audio outputs 1-2) Use the microphone as a music track replace the music on Deck A with the microphone input. MINIMUM CONFIGURATION PC minimum requirements 1GHz CPU or higher / 512MB RAM MS Windows® XP / Vista / 7 (32/64-bit) / 8 (32/64-bit) Mac minimum requirements 1.5GHz CPU or higher / 512MB RAM Mac OS® 10.4 / 10.5 / 10.6 DJConsole Rmx 2 DJConsole Rmx 2 DJConsole RMX 2 Premium TR DJConsole RMX 2 Black-Gold +スペック表・DJConsole Rmx 2 DJ Audio Interface High Resolution Audio 96KHz / 24-bit in Windows (ASIO) Mac (Core Audio) Supports lower sampling rates (44.1 / 48 / 88.2 KHz) Outputs Output channels 1-2 2 balanced XLR = Master out Strong level, for public address amplifiers Balanced output = music protected from interferences in cables 2 RCA = Booth out Use = for monitor speakers, close from the DeeJay Output channels 3-4 2 stereo ¼" jack headphones outputs 2 RCA output (to connect to an external mixer) Inputs 4-channel input in RCA, to mix 2 external sources Line/Phono switches for line or phono sources Level setting (software) standard (line), boost (CDJ players) Microphone input XLR/Jack combo plug, balanced Balanced input, for the best sound with high-end microphones Also support consumer unbalanced microphones Talk-over the mix DJ Control Surface 2-deck DJ Controller 36 transport buttons 12 rotary potentiometers 8 velocity sensitive pads 5 faders 2 rotary encoders 2 jog wheels with pressure detection Transport buttons DJConsole Rmx2 transport buttons are made of A tactile switch with a short travel and a detent, A rubber cap with a smooth contact, and 22 buttons include an inner backlight showing the status. Rotary potentiometers 2 potentiometers (microphone and headphones volume) set an analogue volume (setting headphones mic preamplifiers). 10 other rotary potentiometers send an extended MIDI control (14-bit MIDI mode, compatible with standard 7-bit MIDI control). All rotary potentiometers have a rubber cap. Velocity sensitive pads Each deck has 2 sets of 4 pads, with 4 modes per pad (Loop, Effect, Sample, Cue), providing 16 controls per deck. As pads are velocity sensitive, they can send progressive commands (for example set the volume of a sample). All pads include a backlight. Faders 5 faders send an extended MIDI control (14-bit MIDI mode, compatible with standard 7-bit MIDI control). The volume and pitch faders have a rubber pad. The pitch fader has a centre detent. The cross-fader is removable (its slot fits with a Mini-Innofader®). Encoders The encoders can modulate the effects sent via the pads. The encoders have a rubber pad. Jog- wheels The jog wheels use a pressure detection to set the scratch on/off. A side LED shows the status of the pressure detection. BOX CONTENTS Hercules DJConsole Rmx2 USB cable, transport bag, power adapter CD with PC/Mac DJ software Printed installation guide + online manual MINIMUM CONFIGURATION Computer CPU 1.5 GHz or faster CoreTM 2 Duo or AMD 64-bit 2 GB of RAM or more Powered USB port 100 MB available disk space CD/DVD-ROM drive Internet access Amplified stereo speakers and headphones Operating system (32/64-bit) MS Windows® XP/Vista/7/8 or Mac OS® 10.6,10.7, 10.8 (Core Duo) DJConsole Rmx 2 https //www.hercules.com/us/advanced-controllers/bdd/p/193/djconsole-rmx-2/ DJConsole RMX 2 Premium TR nolink(https //www.hercules.com/uk/advanced-controllers/bdd/p/234/djconsole-rmx-2-premium-tr/9 DJConsole RMX 2 Black-Gold http //www.hercules.com/uk/advanced-controllers/bdd/p/240/djconsole-rmx-2-black-gold/
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【登録タグ T 兎は舞い降りた 曲 東方クロスハート 石鹸屋 秀三】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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【登録タグ Nana Takahashi SOUND HOLIC T 天 -TEN- 希望の星は青霄に昇る 曲 真夏の妖精の夢】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/5254.html
【登録タグ I すばる ちょこふぁん ちょこふぁん BEST 2020 偶像に世界を委ねて ～ Idoratrize World 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/amydrone/pages/11.html
SkyFend Technology is the world's leading provider of C-UAS solutions, focusing on establishing comprehensive all-weather countermeasures systems for various anti-UAV scenarios. Skyfend currently launches anti-UAV jamming guns, anti-UAV jammers, UAV detection radars, and C-UAS software systems. Skyfend AFA100 https //www.autelpilot.com/products/skyfend-afa100-anti-drone-jammer Skyfend AFA100 drone jammer is a compact, cost effective, all-in-one anti-drone jammer that can detect and jam the signals of all advanced small unmanned aerial vehicle (SUAV) threats. The device detects drone signals in all directions and provides users with preemptive warnings. Skyfend AFA100drone signal jammer is equipped with a touch panel so that users can easily access useful information. Skyfend AFA100 jamming gun will find the drone direction using directional antennae and automatically adapt to the correct jamming frequency to counter drones promptly. SkyfendBlader https //www.autelpilot.com/products/skyfend-blader Blader is a portable jammer for SUAVs. Featuring countermeasures for UAV flight control, map transmission, and GNSS bands, it can repel drones or force them to crash to solve the threat of rogue SUAVs. SkyfendTracer S/P https //www.autelpilot.com/products/skyfend-trace-p-portable-uav-detector-pilot-locator Skyfend Tracer is a portable UAV detector that effectively receives, analyzes and processes the radio signals of a wide range of UAV models. Skyfend Tracer-P is suitable for extensive and highly maneuverable operations, allowing for deployment in environments that have stringent size, weight and power demands. There are two models for various scenarios. SkyFendGuider C2 https //www.autelpilot.com/products/skyfend-guider Guider C2 software offers an intuitive and feature-rich software platform, providing C-UAS awareness and reporting capability. Supported by sensor fusion, computer vision, edge computing, machine learning and artificial intelligence, Guider integrates radars, detectors and jammers, consolidating their data into a display. It is always on alert, ensuring round the-clock monitoring of drone threats and effectively mitigating human error. SkyFendDefender PAR100 https //www.autelpilot.com/products/skyfend-defender-fmcw-radar Defender is a compact and cost-effective K-band FMCW radar that provides close-range surveillance for land, sea and air applications. It's ideal for portable scenarios and high-value target defense, such as government buildings, official residences and prisons. It utilizes advanced environmental perception and target recognition algorithms to deliver rapid target detection and deployment capabilities. Skyfend Spoofer https //www.autelpilot.com/products/skyfend-spoofer Spoofer is an advanced GNSS navigation spoofing device engineered explicitly for SUAVs. Its primary purpose is to enforce area denial, redirect drones to predetermined orientations and manipulate their flight paths to designated locations. When combined with radar, spectrum detection devices and jammers, it can cause drones to crash or force them to land at appointed locations.
https://w.atwiki.jp/touhoukashi/pages/2760.html
【登録タグ Angelic Meister Bad Apple!! SYNC.ART'S T 仲村芽衣子 曲 東方レイマリQUEST】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/elvis/pages/7033.html
Freezing and Melting Heat Transfer in Engineering Selected Topics on Ice-Water Systems and Welding and Casting Processes Hemisphere Pub? K. C. Cheng? N. Seki? HemispherePub? K.C.Cheng? N.Seki? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Aerospace-HeatTransfer? Subjects-Engineering-Chemical-Thermodynamics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Energy-HeatEngineering&Transfer? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Chemical-Thermodynamics? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Aerospace-HeatTransfer? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Energy-HeatEngineering&Transfer? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Dynamics-Thermodynamics? Subjects-Science-Technology-General&Reference Soils for Management of Organic Wastes and Waste Waters Amer Society of Agronomy? L. Elliott? F. Stevenson? AmerSocietyofAgronomy? L.Elliott? F.Stevenson? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-AgriculturalSciences-SoilScience? Bioremediation of Contaminated Soil (Agronomy, No. 37.) Amer Society of Agronomy? Domy C. Adriano? AmerSocietyofAgronomy? DomyC.Adriano? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Pesticides in the Soil Environment Processes, Impacts, and Modeling (Soil Science Society of America Book Series, No 2) Soil Science Society of Amer? H. H. Cheng? SoilScienceSocietyofAmer? H.H.Cheng? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? 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Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? European Clocks in the J. Paul Getty Museum (Getty Trust Publications J. Paul Getty Museum) J Paul Getty Museum Pubns? David Harris Cohen? Jean Neree Ronfort? Jean-Dominique Augarde? Peter Friess? Gillian Wilson? J. Paul Getty Museum? JPaulGettyMuseumPubns? DavidHarrisCohen? JeanNereeRonfort? Jean-DominiqueAugarde? PeterFriess? GillianWilson? J.PaulGettyMuseum? ジャンル別? Subjects-Arts&Photography-Art-ArtHistory-Schools,Periods&Styles? Subjects-Arts&Photography-Art-Museums&Collections-General? Subjects-Arts&Photography-Art-Museums&Collections-Museums-ExhibitionCatalogs? Subjects-Arts&Photography-Art-Museums&Collections-Museums-General? Subjects-Arts&Photography-Art-Instruction&Reference-Drawing? Subjects-Arts&Photography-GraphicDesign-Drawing-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? 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Subjects-Professional&Technical-Engineering-General Technologies of Cryogenically Cooled Sensors and Fourier Transform Spectrometers (Proceedings of S P I E) Society of Photo Optical? SocietyofPhotoOptical? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-General? Subjects-Science-Physics-Spectroscopy-General? Symposium on Optical Surface Technology Spie (Proceedings of S P I E) Society of Photo Optical? Hermann Walter? SocietyofPhotoOptical? HermannWalter? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? 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Subjects-Professional&Technical-Engineering-General New Optical Materials Proc of Intl Technical Conf Held April 1983, Geneva Switzerland Society of Photo Optical? Solomon Musikant? Josette Dupuy? SocietyofPhotoOptical? SolomonMusikant? JosetteDupuy? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-General? Optical Engineering for Cold Environments April 7-8, 1983, Arlington, Virginia (Proceedings of S P I E) Society of Photo Optical? Cold Regions Research and Engineering Laboratory (U. S.)? Society of Photo-Optical Instrumentation Engineers? George W. Aitken? SocietyofPhotoOptical? 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Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-General? Robotics and Robot Sensing Systems Critical Review of Technology Society of Photo Optical? David Casasent? Ernest L. Hall? SocietyofPhotoOptical? DavidCasasent? ErnestL.Hall? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics? Subjects-Computers&Internet-ComputerScience-Algorithms-DigitalImageProcessing? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Optical Alignment II (Proceedings of Spie-the International Society for Optical Engineering, Vol 483) Society of Photo Optical? Mitchell C. Ruda? SocietyofPhotoOptical? MitchellC.Ruda? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? 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ブレフロR攻略Wiki - Gamerch(ゲーマチ) 【ポケモンユナイト】サーナイトの評価と性能詳細【UNITE】 - Gamerch(ゲーマチ) 【ガーディアンテイルズ】ギルドレイド戦（秘密の研究所）の攻略とおすすめキャラ【ガデテル】 - Gamerch(ゲーマチ) 【ENDER LILIES】攻略チャートと全体マップ【エンダーリリィズ】 - Gamerch(ゲーマチ) 【ウマ娘】あんしん笹針師の選択肢はどれを選ぶべき？ - Gamerch(ゲーマチ) 【ポケモンユナイト】アップデート情報・キャラ調整まとめ - ポケモンユナイト攻略Wiki - Gamerch(ゲーマチ) 【Apex】シーズン11の新要素と最新情報まとめ【エーペックス】 - Gamerch(ゲーマチ) ロストジャッジメント攻略Wiki - Gamerch(ゲーマチ) 【Among us】新マップThe Airship（エアシップ）の解説【アモングアス】 - Gamerch(ゲーマチ) ハーネスについて小児科医の立場から考える（坂本昌彦） - 個人 - Yahoo!ニュース - Yahoo!ニュース ゼルダ無双攻略Wiki｜厄災の黙示録 - AppMedia(アップメディア) ウマ娘攻略Wiki - AppMedia(アップメディア) ゲトメア（ゲートオブナイトメア）攻略Wiki - Gamerch(ゲーマチ) 【白夜極光】リセマラ当たりランキング - 白夜 極光 wiki - Gamerch(ゲーマチ) お蔵入りとなった幻の『スーパーマリオ』 オランダの博物館でプレイ可能？（リアルサウンド） - Yahoo!ニュース - Yahoo!ニュース ナレッジ共有・社内wikiツール「NotePM」が「ITreview Best Software in Japan 2021」のTOP50に選出 - PR TIMES 真女神転生5攻略Wiki｜メガテン5 - AppMedia(アップメディア) 【B4B】近接ビルドデッキにおすすめのカード【back4blood】 - Gamerch(ゲーマチ) ポケモンスナップ攻略wiki - AppMedia(アップメディア) 富野由悠季「ブレンパワード」作り直したい！ファンを前に意欲（シネマトゥデイ） - Yahoo!ニュース - Yahoo!ニュース 【ウマ娘】査定効率から見た取るべきスキルとおすすめキャラ【プリティーダービー】 - Gamerch(ゲーマチ) 【スマブラSP】カズヤの評価とコンボ【スマブラスペシャル】 - Gamerch(ゲーマチ) メモ・ドキュメント・wiki・プロジェクト管理などオールインワンのワークスペース「Notion」が日本語ベータ版提供開始 - TechCrunch Japan 【ギアジェネ】リセマラ当たりランキング【コードギアス】 - ギアジェネ攻略Wiki - Gamerch(ゲーマチ) モンスターファーム2(MF2)攻略wiki｜アプリ・Switch移植版 - AppMedia(アップメディア) 【ブラサジ】最強キャラTierランキング【ブラックサージナイト】 - Gamerch(ゲーマチ) 【パワプロ】鬼滅の刃コラボ情報まとめ - Gamerch(ゲーマチ) 【SPAJAM2021】第3回予選大会は「クイズ!WIKIにゃんず!」を開発したチーム「かよちゃんず」が最優秀賞！ | gamebiz - SocialGameInfo 検索結果における「ナレッジパネル」の役割とは・・・ウィキメディア財団とDuckDuckGoの共同調査 - Media Innovation ナレッジ共有・社内wikiツール「NotePM」が「BOXIL SaaS AWARD 2021 Autumn」にて「コラボレーション部門」を受賞！ - PR TIMES 【ポケモンユナイト】カメックスの評価と立ち回り【UNITE】 - Gamerch(ゲーマチ) 「ゼルダの伝説 BotW」のマラソンで23秒？ 驚きの速さで完走した方法が話題（リアルサウンド） - Yahoo!ニュース - Yahoo!ニュース Wikipediaが「中国人編集者の身の安全を守るため」に一部の編集者アカウントをBANに - GIGAZINE BTS（防弾少年団）のV、8月のWikipedia閲覧数が韓国アーティストで1位！グループでは4ヶ月連続トップ - Kstyle 【イース6オンライン】リセマラ当たりランキング｜召喚ガチャの開放条件は？ - Gamerch(ゲーマチ) BacklogからNotePMへwiki情報を自動API連携する「Backlog to NotePM」をSaaStainerに掲載開始 - PR TIMES ライザのアトリエ2攻略Wiki - AppMedia(アップメディア) 真女神転生3リマスター攻略Wiki｜メガテン3 - AppMedia(アップメディア) ガーディアンテイルズ（ガデテル）攻略Wiki - Gamerch(ゲーマチ) タスクも文書もWikiもデータベースもまとめて管理できる「Notion」とは？ - ASCII.jp ナレッジ共有・社内wikiツール「NotePM」が、見るだけ専用ユーザー『無料』の新プランを発表！ - PR TIMES 【かのぱず】リセマラ当たりランキング【彼女お借りします】 - Gamerch(ゲーマチ) 【乃木フラ】リセマラの必要はある？【乃木坂的フラクタル】 - Gamerch(ゲーマチ) メトロイド ドレッド攻略Wiki - Gamerch(ゲーマチ) 【パワプロ】生放送まとめ｜パワフェス2021 - パワプロ攻略Wiki - Gamerch(ゲーマチ) ルーンファクトリー5攻略wiki｜ルンファク5 - AppMedia(アップメディア) 【ふんクロ】リセマラ当たりランキング【シャーマンキング】 - ふんクロ攻略Wiki - Gamerch(ゲーマチ) 簡単操作で自分専用Wikiを構築できるMarkdownエディタ「Obsidian」のモバイル版を使ってみた - GIGAZINE 【ポケモンユナイト】配信時間は何時から？スタートできない？【UNITE】 - Gamerch(ゲーマチ) ディーサイドトロイメライ攻略Wiki - Gamerch(ゲーマチ) 【ウマ娘】体操服の変更方法と法則性 - Gamerch(ゲーマチ) 情報マネジメントツール「Huddler」がwiki機能を刷新 - PR TIMES シェアエコ配送アプリ「DIAq(ダイヤク)」のアンカーアプリで、高層ビル・商業施設の入館方法などお役立ち情報をまとめた「DIAqwiki」を公開 - アットプレス（プレスリリース） 異常熱波のカナダで49.6度、いま北米で起きていること（森さやか） - 個人 - Yahoo!ニュース - Yahoo!ニュース 【ツイステ】マスターシェフの攻略～辛味のふるさと～【料理イベント】 - Gamerch(ゲーマチ) 【ラグナロクオリジン】リセマラは不要？おすすめ職業は？【ラグオリ】 - Gamerch(ゲーマチ) 【アイプラ】リセマラ当たりランキング【アイドリープライド】 - AppMedia(アップメディア) 白夜極光攻略wiki - AppMedia(アップメディア) 【バイオミュータント】2.02アプデ｜アップデート1.4情報 - バイオミュータント攻略Wiki - Gamerch(ゲーマチ) 【ひな図書】リセマラ当たりランキング【日向坂図書館】 - Gamerch(ゲーマチ) ニーアレプリカントリメイク攻略wiki｜ver.1.22 - AppMedia(アップメディア) アイプラ攻略Wiki｜アイドリープライド - AppMedia(アップメディア) 【ウマ娘】ゴルシウィークはいつから？キャンペーン情報まとめ - Gamerch(ゲーマチ) シーズン66 - 【超速GP】ミニ四駆 超速グランプリ攻略まとめwiki - 電撃オンライン 乃木坂的フラクタル攻略Wiki - Gamerch(ゲーマチ) 「こんなことになるとは…」13年前のエイプリルフールについた“嘘”がネットで… ある男の告白（BuzzFeed Japan） - Yahoo!ニュース - Yahoo!ニュース 整理不要の情報共有ツール(社内Wiki)「Nerve」シードラウンドで総額約3500万円の資金調達を実施 - PR TIMES 【ウマ娘】隠しイベントの発生条件と効果まとめ - Gamerch(ゲーマチ) Nerve - 整理不要の情報共有ツール(社内Wiki) ローンチカスタマー募集開始のお知らせ - PR TIMES Among Us攻略Wiki【アマングアス・アモングアス】 - Gamerch(ゲーマチ) パニシンググレイレイヴン(パニグレ)攻略wiki - Gamerch(ゲーマチ) 【ひなこい】最強ひな写ランキング - ひなこい攻略Wiki - Gamerch(ゲーマチ) 稲作アクションRPG『天穂のサクナヒメ』における「農林水産省攻略wiki説」は本当なのか？ - AUTOMATON スタスマ攻略Wiki【スタースマッシュ】 - Gamerch(ゲーマチ) 無料とは思えない多機能っぷりなWikiインフラ「Wiki.js」レビュー、自前でホスト＆外部サービスと連携可能 - GIGAZINE Microsoft Teamsの基本と活用(24) TeamsのWikiを使う - マイナビニュース 『ゲーミングお嬢様』での提起が話題に “企業系wiki”に横たわる問題点とは - リアルサウンド 「エイリアンのたまご」，自動周回機能と公式wikiが登場 - 4Gamer.net 【リゼロス】Re ゼロから始める異世界生活 Lost in Memories攻略まとめwiki - 電撃オンライン パワプロ2021／2020攻略Wiki - Gamerch(ゲーマチ) ヌーラボ、「Backlog」の絵文字入力の補完機能やWiki編集の自動マージ機能を改善 - CodeZine（コードジン） ヌーラボ、プロジェクト管理ツール「Backlog」の絵文字入力の補完機能・Wiki編集の自動マージ機能を修正改善 - PR TIMES Backlog、Wikiにファイル添付が容易にできる機能をリリース -- グローバルバーの視認性改善なども実施 - PR TIMES